Galerie d'art Baie-St-Paul, Charlevoix

Les nouveautés

Dans cette section, vous trouverez les nouveautés de tous nos artistes. Dès qu’un tableau arrive en galerie, nous ajoutons sa photo sur notre site Internet et le tableau s’affiche temporairement dans la section Nouveautés.

Voir toutes les nouveautés »

Nos maîtres canadiens

Une section de la galerie est exclusivement consacrée aux maîtres canadiens. Nous faisons de nouvelles acquisitions régulièrement et avons en tout temps une belle collection à vous présenter.

Notice (8): Undefined offset: 0 [APP/View/Artistes/get.ctp, line 9]Code Context                    <div class="petit-cont-img">
                        
                        <?php if($artiste['OeuvrePrincipale'][0]['img_crop'] && file_exists(WWW_ROOT.$artiste['OeuvrePrincipale'][0]['img_crop']) && strpos($artiste['OeuvrePrincipale'][0]['img_crop'], ' ') === FALSE): ?>
$viewFile = '/home/lharmat/public_html/cake_data/app/View/Artistes/get.ctp'
$dataForView = array(
	'faIcone' => 'address-book',
	'debugToolbarPanels' => array(
		'history' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'history_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'session' => array(
			'content' => null,
			'elementName' => 'session_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'request' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'request_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'sql_log' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'sql_log_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'timer' => array(
			'content' => null,
			'elementName' => 'timer_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'log' => array(
			'content' => object(DebugKitLog) {},
			'elementName' => 'log_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'variables' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'variables_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'environment' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'environment_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'include' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'include_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		)
	),
	'debugToolbarJavascript' => array(
		'libs' => 'DebugKit./js/js_debug_toolbar'
	),
	'debugToolbarCss' => array(
		(int) 0 => 'DebugKit./css/debug_toolbar.css'
	),
	'artistes' => array(
		(int) 0 => array(
			'Artiste' => array(
				[maximum depth reached]
			),
			'OeuvrePrincipale' => array([maximum depth reached])
		),
		(int) 1 => array(
			'Artiste' => array(
				[maximum depth reached]
			),
			'OeuvrePrincipale' => array(
				[maximum depth reached]
			)
		),
		(int) 2 => array(
			'Artiste' => array(
				[maximum depth reached]
			),
			'OeuvrePrincipale' => array(
				[maximum depth reached]
			)
		),
		(int) 3 => array(
			'Artiste' => array(
				[maximum depth reached]
			),
			'OeuvrePrincipale' => array([maximum depth reached])
		)
	),
	'detail_oeuvre' => false,
	'here' => '/fr/artistes/get/art_et_style/maitre-canadien',
	'path' => 'fr/galerie-art-style-charlevoix/elements',
	'type_galerie' => 'art_et_style',
	'translated_galerie' => 'galery-art-style',
	'galerie' => 'galerie-art-style-charlevoix',
	'img_default' => '/img/as-default.png',
	'langExt' => '_fre',
	'language' => 'fr'
)
$faIcone = 'address-book'
$debugToolbarPanels = array(
	'history' => array(
		'content' => array(
			(int) 0 => array(
				[maximum depth reached]
			),
			(int) 1 => array(
				[maximum depth reached]
			),
			(int) 2 => array(
				[maximum depth reached]
			),
			(int) 3 => array(
				[maximum depth reached]
			)
		),
		'elementName' => 'history_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'session' => array(
		'content' => null,
		'elementName' => 'session_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'request' => array(
		'content' => array(
			'params' => array(
				[maximum depth reached]
			),
			'url' => 'fr/artistes/get/art_et_style/maitre-canadien',
			'query' => array([maximum depth reached]),
			'data' => array([maximum depth reached]),
			'get' => array([maximum depth reached]),
			'currentRoute' => object(CakeRoute) {}
		),
		'elementName' => 'request_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'sql_log' => array(
		'content' => array(
			'connections' => array(
				[maximum depth reached]
			),
			'threshold' => (int) 20
		),
		'elementName' => 'sql_log_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'timer' => array(
		'content' => null,
		'elementName' => 'timer_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'log' => array(
		'content' => object(DebugKitLog) {},
		'elementName' => 'log_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'variables' => array(
		'content' => array(
			'artistes' => array(
				[maximum depth reached]
			),
			'detail_oeuvre' => false,
			'here' => '/fr/artistes/get/art_et_style/maitre-canadien',
			'path' => 'fr/galerie-art-style-charlevoix/elements',
			'type_galerie' => 'art_et_style',
			'translated_galerie' => 'galery-art-style',
			'galerie' => 'galerie-art-style-charlevoix',
			'img_default' => '/img/as-default.png',
			'langExt' => '_fre',
			'language' => 'fr',
			'$request->data' => array([maximum depth reached])
		),
		'elementName' => 'variables_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'environment' => array(
		'content' => array(
			'php' => array(
				[maximum depth reached]
			),
			'cake' => array(
				[maximum depth reached]
			),
			'app' => array(
				[maximum depth reached]
			)
		),
		'elementName' => 'environment_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'include' => array(
		'content' => array(
			'core' => array(
				[maximum depth reached]
			),
			'app' => array(
				[maximum depth reached]
			),
			'plugins' => array(
				[maximum depth reached]
			),
			'paths' => array(
				[maximum depth reached]
			)
		),
		'elementName' => 'include_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	)
)
$debugToolbarJavascript = array(
	'libs' => 'DebugKit./js/js_debug_toolbar'
)
$debugToolbarCss = array(
	(int) 0 => 'DebugKit./css/debug_toolbar.css'
)
$artistes = array(
	(int) 0 => array(
		'Artiste' => array(
			'id' => '118',
			'harmattan' => false,
			'art_et_style' => true,
			'afficher_accueil' => null,
			'categorie' => 'maitre-canadien',
			'prenom' => 'K',
			'nom' => 'Hooper',
			'video' => '',
			'bio_fre' => '',
			'bio_eng' => '',
			'mailchimp' => '',
			'image' => '/public_upload/images/art-et-style/k-hooper/Hooper_002G.jpg',
			'rechercher' => null,
			'seo_title_eng' => 'K Hooper',
			'seo_title_fre' => 'Hooper',
			'seo_description_eng' => null,
			'seo_description_fre' => '',
			'seo_slug_eng' => 'k-hooper',
			'seo_slug_fre' => 'k-hooper',
			'created' => '2018-03-19 00:00:00',
			'modified' => '2018-03-19 14:41:50'
		),
		'OeuvrePrincipale' => array()
	),
	(int) 1 => array(
		'Artiste' => array(
			'id' => '108',
			'harmattan' => false,
			'art_et_style' => true,
			'afficher_accueil' => null,
			'categorie' => 'maitre-canadien',
			'prenom' => 'Stanley ',
			'nom' => 'Cosgrove',
			'video' => '',
			'bio_fre' => '<p>N&eacute; en 1911, &agrave; Montr&eacute;al. Il &eacute;tudie chez les P&egrave;res de Sainte-Croix et &agrave; l&#39;&Eacute;cole des Beaux-Arts de Montr&eacute;al. &Agrave; partir de 1936, il fr&eacute;quente les ateliers de Holgate et il peint avec Jori Smith et Jean-Paul Lemieux.</p>
',
			'bio_eng' => '<p>He was born in 1911, in Montreal. He studied with the Fathers of the Holy Cross and at the &Eacute;cole des Beaux-Arts de Montr&eacute;al. Starting in 1936, he attended the Holgate workshops and painted with Jori Smith and Jean-Paul Lemieux.</p>
',
			'mailchimp' => '',
			'image' => '/public_upload/images/art-et-style/stanley-cosgrove/S_Cosgrove_012G.jpg',
			'rechercher' => null,
			'seo_title_eng' => 'Stanley Cosgrove',
			'seo_title_fre' => 'Cosgrove',
			'seo_description_eng' => null,
			'seo_description_fre' => '',
			'seo_slug_eng' => 'stanley-cosgrove',
			'seo_slug_fre' => 'stanley-cosgrove',
			'created' => '2018-03-19 00:00:00',
			'modified' => '2018-03-19 14:50:43'
		),
		'OeuvrePrincipale' => array(
			(int) 0 => array(
				[maximum depth reached]
			)
		)
	),
	(int) 2 => array(
		'Artiste' => array(
			'id' => '137',
			'harmattan' => false,
			'art_et_style' => true,
			'afficher_accueil' => null,
			'categorie' => 'maitre-canadien',
			'prenom' => 'René ',
			'nom' => 'Richard',
			'video' => '',
			'bio_fre' => '<p>Le peintre Ren&eacute; Richard na&icirc;t le 1er d&eacute;cembre 1895 &agrave; La Chaux-de-Fonds (Suisse) et d&eacute;c&egrave;de &agrave; Baie-Saint-Paul (Qu&eacute;bec) le 31 mars 1982. Fils d&rsquo;immigrant venu s&rsquo;installer avec toute sa famille &agrave; Cold Lake (Alberta), il est attir&eacute; tr&egrave;s t&ocirc;t par les grands espaces et le sentiment de libert&eacute; qu&rsquo;ils procurent. Aussi, d&egrave;s l&rsquo;&acirc;ge de 18 ans, devient-il coureur des bois, apprenant &agrave; la dure le m&eacute;tier de trappeur, m&eacute;tier qu&rsquo;il pratique pendant plusieurs ann&eacute;es. Tout au cours de cette p&eacute;riode, il fait des centaines de dessins au crayon, lesquels t&eacute;moignent de sa passion pour l&rsquo;immensit&eacute; nordique et le quotidien des am&eacute;rindiens qu&rsquo;il c&ocirc;toie r&eacute;guli&egrave;rement. En 1926, il prend ses premiers cours de dessin &agrave; Edmonton (Alberta) et l&rsquo;ann&eacute;e suivante, il part pour Paris se perfectionner &agrave; l&rsquo;Acad&eacute;mie de la Grande-Chaumi&egrave;re. Dans la capitale fran&ccedil;aise, il fait la connaissance du peintre montr&eacute;alais Clarence Gagnon qui devient son mentor et ami. &Agrave; son retour au pays en 1930, Ren&eacute; Richard renoue avec la vie de coureur des bois, emportant cette fois dans ses bagages tubes de couleurs, crayons et papier d&rsquo;emballage en guise de toiles. C&rsquo;est au cours de cette p&eacute;riode qu&rsquo;il trouve son v&eacute;ritable style, se lib&eacute;rant du classicisme qui avait empreint ses &oelig;uvres pr&eacute;c&eacute;dentes. &laquo; Trac&eacute;e rapidement sur le papier, la ligne court, tant&ocirc;t l&eacute;g&egrave;re, tant&ocirc;t appuy&eacute;e, cernant le tronc d&rsquo;un arbre, all&eacute;geant la courbe d&rsquo;une joue pour reprendre sa course et glisser tel un patineur ex&eacute;cutant un extravagant ballet. L&rsquo;artiste donne libre cours &agrave; sa fantaisie, &agrave; son imagination, et de ce fait m&ecirc;me, tout en s&rsquo;inspirant du sujet, le d&eacute;borde, le magnifie. &raquo; (Hughes de Jouvancourt). Puis, en 1938, Clarence Gagnon emm&egrave;ne son ami &agrave; Baie-Saint-Paul (Charlevoix), village qu&rsquo;il affectionne particuli&egrave;rement. Subjugu&eacute; par la beaut&eacute; des lieux, Ren&eacute; Richard y retourne quelques mois plus tard pour s&rsquo;y installer d&eacute;finitivement et se consacrer &agrave; son art. Et en 1942, il se marie avec Blanche Cimon, la fille des gens qui l&rsquo;ont h&eacute;berg&eacute; depuis sa premi&egrave;re visite. L&rsquo;ann&eacute;e suivante, il tient sa premi&egrave;re exposition &agrave; l&rsquo;Art fran&ccedil;ais. Il y remporte un franc succ&egrave;s, vendant tous ses tableaux en moins de deux jours. S&rsquo;ensuit une repr&eacute;sentation dans trois galeries de renom : la galerie Klinkhoff &agrave; Montr&eacute;al, la galerie Zanettin &agrave; Qu&eacute;bec et celle de Ren&eacute; Bergeron &agrave; Chicoutimi. Plus tard, devenu ami avec Gabrielle Roy et Mgr F&eacute;lix-Antoine Savard, il fait l&rsquo;illustration de leur &oelig;uvre respective, soit&nbsp;&nbsp;&laquo; La montagne secr&egrave;te&nbsp;&raquo; (1975) et une nouvelle &eacute;dition de&nbsp; &laquo; &nbsp;Menaud, ma&icirc;tre-draveur &raquo; (1979).</p>

<p>En 1973, Ren&eacute; Richard est d&eacute;cor&eacute; de l&rsquo;Ordre du Canada et en 1980, il devient membre de l&rsquo;Acad&eacute;mie royale des arts du Canada. Cette m&ecirc;me ann&eacute;e, il donne &agrave; l&rsquo;Universit&eacute; Laval une grande collection de tableaux et d&rsquo;esquisses ainsi qu&rsquo;une douzaine de dessins ayant servi &agrave; illustrer&nbsp;&laquo; Menaud, ma&icirc;tre-draveur&nbsp;&raquo;.&nbsp;&Agrave; son d&eacute;c&egrave;s, son legs s&rsquo;enrichit de 131 peintures et dessins. Parmi les nombreuses expositions qui lui sont consacr&eacute;es, tant de son vivant qu&rsquo;apr&egrave;s, mentionnons celles du Mus&eacute;e du Qu&eacute;bec (maintenant Mus&eacute;e national des beaux-arts du Qu&eacute;bec) en 1967 et 1978, de la ville de Montr&eacute;al (1986), de la Villa Bagatelle de Qu&eacute;bec (1990), de La Chaux-de-Fonds (Suisse) (1992-1993), du Centre d&rsquo;art de Baie-Saint-Paul (maintenant Mus&eacute;e d&rsquo;art contemporain de Baie-Saint-Paul) (1993) et du Domaine Cataraqui &agrave; Qu&eacute;bec (1996).</p>

<p>&laquo; Prolifique, Ren&eacute; Richard est sans doute un des peintres canadiens qui a su le mieux exprimer la nordicit&eacute;, la solitude et la vie primitive des grands espaces territoriaux jalonn&eacute;s par les saisons. Sa contribution &agrave; l&rsquo;art pictural est impressionnante : des centaines d&rsquo;&oelig;uvres, principalement des &eacute;tudes, des dessins (esquisses, croquis, essais &agrave; la sanguine et au fusain, pochades, dessins aux crayons de couleurs et aux crayons feutres) et des huiles de petit et grand format&hellip;.L&rsquo;art de Richard, tr&egrave;s personnel et marqu&eacute; d&rsquo;un certain expressionnisme, exprime donc aussi la survie dans des conditions extr&ecirc;mes, confront&eacute; aux &eacute;l&eacute;ments naturels que sont les fleuves, les d&eacute;serts polaires et les for&ecirc;ts. &raquo; (Esther Pelletier, professeure titulaire, Universit&eacute; Laval).</p>
',
			'bio_eng' => '<p>Painter Ren&eacute; Richard was born on December 1, 1895, in La Chaux-de-Fonds (Switzerland) and died in Baie-Saint-Paul (Qu&eacute;bec) on March 31, 1982. The son of an immigrant who settled in Cold Lake (Alberta) with all his family, he was attracted at an early age by the wide open spaces and the sense of freedom that they gave him. Therefore, at the age of 18, he became a &lsquo;coureur des bois&rsquo;(woodsman) for many years, learning trapping techniques the hard way. During this period of time, he did hundreds of pencil drawings which demonstrated his passion for the Nordic vastness and the daily life of the Aboriginals with whom he mingled regularly. In 1926, he took his first drawing classes in Edmonton (Alberta) and the following year, he left for Paris to perfect his artistic training at the Acad&eacute;mie de la Grande-Chaumi&egrave;re. In the French capital, he met the Montreal painter, Clarence Gagnon, who became his mentor and friend. Upon his return to Canada in 1930, Ren&eacute; Richard resumed his former woodsman&rsquo;s life, this time bringing in his bags colour tubes, pencils and wrapping paper for canvasses. It was during this time that he found his true style, leaving behind the classicism that characterized his previous artworks. &lsquo;&rsquo;Quickly drawn on paper, the line runs, both soft and marked, encircling the trunk of a tree, lightening the curve of a cheek to resume speeding like a skater performing an extravagant ballet. The artist gives free rein to his fantasy, his imagination, and therefore, while being inspired by the subject, he transcends it, magnifies it.&rsquo;&rsquo; (Hughes de Jouvancourt). In 1938, Clarence Gagnon brought his friend to Baie-Saint-Paul (Charlevoix), a village that he loved. Captivated by the beautiful surroundings, Ren&eacute; Richard went back a few months later to settle there permanently and dedicate himself to his art full-time. And in 1942, he married Blanche Cimon, the daughter of the people who had hosted him right from his first visit. The following year, he held his first exhibition at the Art fran&ccedil;ais which was a complete success. He sold all his paintings in less than two days. This led to being represented by three major art galleries: Klinkhoff Gallery in Montreal, the galerie Zanettin in Qu&eacute;bec City and Ren&eacute; Bergeron&rsquo;s gallery in Chicoutimi. Later, thanks to his friendship with Gabrielle Roy and Mgr F&eacute;lix-Antoine Savard, he illustrated their respective works, namely &lsquo;&rsquo; La montagne secr&egrave;te&nbsp;&lsquo;&rsquo; (translated as The Hidden Mountain) in 1975, and a new edition of&nbsp; &lsquo;&rsquo;&nbsp;Menaud, ma&icirc;tre-draveur &lsquo;&rsquo; (translated as both Boss of the River and Master of the River) in 1979.</p>

<p>In 1973, Ren&eacute; Richard was decorated with the Order of Canada and in 1980, he was made a member of the Royal Canadian Academy of Arts. The same year, he donated a sizeable collection of his work to Laval University: paintings and sketches as well as a dozen drawings used to illustrate &lsquo;&rsquo; Menaud, ma&icirc;tre-draveur &lsquo;&rsquo;. Upon his death, he increased his bequest to the University by 131 paintings and drawings. There were numerous exhibitions dedicated to him both during his lifetime and posthumously, among which: at the Mus&eacute;e du Qu&eacute;bec (now Mus&eacute;e national des beaux-arts du Qu&eacute;bec) in 1967 and 1978, the City of Montreal (1986), the Villa Bagatelle, Qu&eacute;bec City (1990), La Chaux-de-Fonds (Switzerland) (1992-1993), the Centre d&rsquo;art de Baie-Saint-Paul (now Mus&eacute;e d&rsquo;art contemporain de Baie-Saint-Paul) (1993) and Domaine Cataraqui, Qu&eacute;bec City (1996).</p>

<p>&lsquo;&rsquo;Ren&eacute; Richard is without doubt one of the Canadian painters who best captured the North&mdash;its loneliness, rudimentary living conditions, and vast open spaces marked by the seasons. His prolific output stands as an impressive contribution to Canadian art: hundreds of works made up mostly of studies, drawings&mdash;a category that encompasses rough sketches, sanguine crayon, charcoal and pencil crayon as well as more detailed oil pochades and drawings in pencil crayon and felt pen&mdash;and small and large format oil paintings&hellip;Richard&rsquo;s highly personal and somewhat expressionistic style conveys the struggle for human survival amidst the harsh northern environment of polar deserts, vast forests and rivers.&rsquo;&rsquo; (Esther Pelletier, Professor, Laval University)</p>
',
			'mailchimp' => '',
			'image' => '/public_upload/images/art-et-style/rene-richard/R_Richard_068G.jpg',
			'rechercher' => null,
			'seo_title_eng' => 'René Richard',
			'seo_title_fre' => 'Richard',
			'seo_description_eng' => null,
			'seo_description_fre' => '',
			'seo_slug_eng' => 'rene-richard',
			'seo_slug_fre' => 'rene-richard',
			'created' => '2018-03-19 00:00:00',
			'modified' => '2019-06-01 15:09:14'
		),
		'OeuvrePrincipale' => array(
			(int) 0 => array(
				[maximum depth reached]
			)
		)
	),
	(int) 3 => array(
		'Artiste' => array(
			'id' => '126',
			'harmattan' => false,
			'art_et_style' => true,
			'afficher_accueil' => null,
			'categorie' => 'maitre-canadien',
			'prenom' => 'Ludger',
			'nom' => 'Larose',
			'video' => '',
			'bio_fre' => '<p>N&eacute; &agrave; Montr&eacute;al en1868. Mort &agrave; Montr&eacute;al en 1915. Entre 1887 et 1894, Ludger Larose &eacute;tudie le dessin &agrave; l&#39;&Eacute;cole des Beaux-Arts de Paris avec Jean-Paul Laurens et Gustave Moreau. De retour &agrave; Montr&eacute;al en 1894, il enseigne &agrave; l&#39;&Eacute;cole du Plateau jusqu&#39;en 1910, puis &agrave; Westmount de 1912 &agrave; 1915. Larose s&#39;est illustr&eacute; comme d&eacute;corateur d&#39;&eacute;glises (Chapelle du Sacr&eacute;-C&#39;ur de Notre-Dame de Montr&eacute;al) et aussi comme peintre de paysages.</p>
',
			'bio_eng' => '<p>He was born in Montreal in 1868 and died in 1915. Between 1887 and 1894, Ludger Larose studied drawing at &Eacute;cole des Beaux-Arts de Paris with Jean-Paul Laurens and Gustave Moreau. Back in Montreal in 1894, he taught at &Eacute;cole du Plateau until 1910, then in Westmount from 1912 to 1915. Larose was renowned as a church designer (Chapel of Sacr&eacute;-Coeur de Notre-Dame de Montreal) and also as landscape painter.</p>
',
			'mailchimp' => '',
			'image' => '/public_upload/images/art-et-style/ludger-larose/L_Larose_001G.jpg',
			'rechercher' => null,
			'seo_title_eng' => 'Ludger Larose',
			'seo_title_fre' => 'Larose',
			'seo_description_eng' => null,
			'seo_description_fre' => '',
			'seo_slug_eng' => 'ludger-larose',
			'seo_slug_fre' => 'ludger-larose',
			'created' => '2018-03-19 00:00:00',
			'modified' => '2018-03-19 14:46:54'
		),
		'OeuvrePrincipale' => array()
	)
)
$detail_oeuvre = false
$here = '/fr/artistes/get/art_et_style/maitre-canadien'
$path = 'fr/galerie-art-style-charlevoix/elements'
$type_galerie = 'art_et_style'
$translated_galerie = 'galery-art-style'
$galerie = 'galerie-art-style-charlevoix'
$img_default = '/img/as-default.png'
$langExt = '_fre'
$language = 'fr'
$artiste = array(
	'Artiste' => array(
		'id' => '118',
		'harmattan' => false,
		'art_et_style' => true,
		'afficher_accueil' => null,
		'categorie' => 'maitre-canadien',
		'prenom' => 'K',
		'nom' => 'Hooper',
		'video' => '',
		'bio_fre' => '',
		'bio_eng' => '',
		'mailchimp' => '',
		'image' => '/public_upload/images/art-et-style/k-hooper/Hooper_002G.jpg',
		'rechercher' => null,
		'seo_title_eng' => 'K Hooper',
		'seo_title_fre' => 'Hooper',
		'seo_description_eng' => null,
		'seo_description_fre' => '',
		'seo_slug_eng' => 'k-hooper',
		'seo_slug_fre' => 'k-hooper',
		'created' => '2018-03-19 00:00:00',
		'modified' => '2018-03-19 14:41:50'
	),
	'OeuvrePrincipale' => array()
)
include - APP/View/Artistes/get.ctp, line 9
View::_evaluate() - CORE/Cake/View/View.php, line 948
View::_render() - CORE/Cake/View/View.php, line 910
View::render() - CORE/Cake/View/View.php, line 471
Controller::render() - CORE/Cake/Controller/Controller.php, line 954
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 198
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 165
[main] - /home/lharmat/public_html/admin/index.php, line 111

K Hooper

Stanley Cosgrove
René Richard

Notice (8): Undefined offset: 0 [APP/View/Artistes/get.ctp, line 9]Code Context                    <div class="petit-cont-img">
                        
                        <?php if($artiste['OeuvrePrincipale'][0]['img_crop'] && file_exists(WWW_ROOT.$artiste['OeuvrePrincipale'][0]['img_crop']) && strpos($artiste['OeuvrePrincipale'][0]['img_crop'], ' ') === FALSE): ?>
$viewFile = '/home/lharmat/public_html/cake_data/app/View/Artistes/get.ctp'
$dataForView = array(
	'faIcone' => 'address-book',
	'debugToolbarPanels' => array(
		'history' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'history_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'session' => array(
			'content' => null,
			'elementName' => 'session_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'request' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'request_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'sql_log' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'sql_log_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'timer' => array(
			'content' => null,
			'elementName' => 'timer_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'log' => array(
			'content' => object(DebugKitLog) {},
			'elementName' => 'log_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'variables' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'variables_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'environment' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'environment_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		),
		'include' => array(
			'content' => array(
				[maximum depth reached]
			),
			'elementName' => 'include_panel',
			'plugin' => 'DebugKit',
			'title' => null,
			'disableTimer' => true
		)
	),
	'debugToolbarJavascript' => array(
		'libs' => 'DebugKit./js/js_debug_toolbar'
	),
	'debugToolbarCss' => array(
		(int) 0 => 'DebugKit./css/debug_toolbar.css'
	),
	'artistes' => array(
		(int) 0 => array(
			'Artiste' => array(
				[maximum depth reached]
			),
			'OeuvrePrincipale' => array([maximum depth reached])
		),
		(int) 1 => array(
			'Artiste' => array(
				[maximum depth reached]
			),
			'OeuvrePrincipale' => array(
				[maximum depth reached]
			)
		),
		(int) 2 => array(
			'Artiste' => array(
				[maximum depth reached]
			),
			'OeuvrePrincipale' => array(
				[maximum depth reached]
			)
		),
		(int) 3 => array(
			'Artiste' => array(
				[maximum depth reached]
			),
			'OeuvrePrincipale' => array([maximum depth reached])
		)
	),
	'detail_oeuvre' => false,
	'here' => '/fr/artistes/get/art_et_style/maitre-canadien',
	'path' => 'fr/galerie-art-style-charlevoix/elements',
	'type_galerie' => 'art_et_style',
	'translated_galerie' => 'galery-art-style',
	'galerie' => 'galerie-art-style-charlevoix',
	'img_default' => '/img/as-default.png',
	'langExt' => '_fre',
	'language' => 'fr'
)
$faIcone = 'address-book'
$debugToolbarPanels = array(
	'history' => array(
		'content' => array(
			(int) 0 => array(
				[maximum depth reached]
			),
			(int) 1 => array(
				[maximum depth reached]
			),
			(int) 2 => array(
				[maximum depth reached]
			),
			(int) 3 => array(
				[maximum depth reached]
			)
		),
		'elementName' => 'history_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'session' => array(
		'content' => null,
		'elementName' => 'session_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'request' => array(
		'content' => array(
			'params' => array(
				[maximum depth reached]
			),
			'url' => 'fr/artistes/get/art_et_style/maitre-canadien',
			'query' => array([maximum depth reached]),
			'data' => array([maximum depth reached]),
			'get' => array([maximum depth reached]),
			'currentRoute' => object(CakeRoute) {}
		),
		'elementName' => 'request_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'sql_log' => array(
		'content' => array(
			'connections' => array(
				[maximum depth reached]
			),
			'threshold' => (int) 20
		),
		'elementName' => 'sql_log_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'timer' => array(
		'content' => null,
		'elementName' => 'timer_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'log' => array(
		'content' => object(DebugKitLog) {},
		'elementName' => 'log_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'variables' => array(
		'content' => array(
			'artistes' => array(
				[maximum depth reached]
			),
			'detail_oeuvre' => false,
			'here' => '/fr/artistes/get/art_et_style/maitre-canadien',
			'path' => 'fr/galerie-art-style-charlevoix/elements',
			'type_galerie' => 'art_et_style',
			'translated_galerie' => 'galery-art-style',
			'galerie' => 'galerie-art-style-charlevoix',
			'img_default' => '/img/as-default.png',
			'langExt' => '_fre',
			'language' => 'fr',
			'$request->data' => array([maximum depth reached])
		),
		'elementName' => 'variables_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'environment' => array(
		'content' => array(
			'php' => array(
				[maximum depth reached]
			),
			'cake' => array(
				[maximum depth reached]
			),
			'app' => array(
				[maximum depth reached]
			)
		),
		'elementName' => 'environment_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	),
	'include' => array(
		'content' => array(
			'core' => array(
				[maximum depth reached]
			),
			'app' => array(
				[maximum depth reached]
			),
			'plugins' => array(
				[maximum depth reached]
			),
			'paths' => array(
				[maximum depth reached]
			)
		),
		'elementName' => 'include_panel',
		'plugin' => 'DebugKit',
		'title' => null,
		'disableTimer' => true
	)
)
$debugToolbarJavascript = array(
	'libs' => 'DebugKit./js/js_debug_toolbar'
)
$debugToolbarCss = array(
	(int) 0 => 'DebugKit./css/debug_toolbar.css'
)
$artistes = array(
	(int) 0 => array(
		'Artiste' => array(
			'id' => '118',
			'harmattan' => false,
			'art_et_style' => true,
			'afficher_accueil' => null,
			'categorie' => 'maitre-canadien',
			'prenom' => 'K',
			'nom' => 'Hooper',
			'video' => '',
			'bio_fre' => '',
			'bio_eng' => '',
			'mailchimp' => '',
			'image' => '/public_upload/images/art-et-style/k-hooper/Hooper_002G.jpg',
			'rechercher' => null,
			'seo_title_eng' => 'K Hooper',
			'seo_title_fre' => 'Hooper',
			'seo_description_eng' => null,
			'seo_description_fre' => '',
			'seo_slug_eng' => 'k-hooper',
			'seo_slug_fre' => 'k-hooper',
			'created' => '2018-03-19 00:00:00',
			'modified' => '2018-03-19 14:41:50'
		),
		'OeuvrePrincipale' => array()
	),
	(int) 1 => array(
		'Artiste' => array(
			'id' => '108',
			'harmattan' => false,
			'art_et_style' => true,
			'afficher_accueil' => null,
			'categorie' => 'maitre-canadien',
			'prenom' => 'Stanley ',
			'nom' => 'Cosgrove',
			'video' => '',
			'bio_fre' => '<p>N&eacute; en 1911, &agrave; Montr&eacute;al. Il &eacute;tudie chez les P&egrave;res de Sainte-Croix et &agrave; l&#39;&Eacute;cole des Beaux-Arts de Montr&eacute;al. &Agrave; partir de 1936, il fr&eacute;quente les ateliers de Holgate et il peint avec Jori Smith et Jean-Paul Lemieux.</p>
',
			'bio_eng' => '<p>He was born in 1911, in Montreal. He studied with the Fathers of the Holy Cross and at the &Eacute;cole des Beaux-Arts de Montr&eacute;al. Starting in 1936, he attended the Holgate workshops and painted with Jori Smith and Jean-Paul Lemieux.</p>
',
			'mailchimp' => '',
			'image' => '/public_upload/images/art-et-style/stanley-cosgrove/S_Cosgrove_012G.jpg',
			'rechercher' => null,
			'seo_title_eng' => 'Stanley Cosgrove',
			'seo_title_fre' => 'Cosgrove',
			'seo_description_eng' => null,
			'seo_description_fre' => '',
			'seo_slug_eng' => 'stanley-cosgrove',
			'seo_slug_fre' => 'stanley-cosgrove',
			'created' => '2018-03-19 00:00:00',
			'modified' => '2018-03-19 14:50:43'
		),
		'OeuvrePrincipale' => array(
			(int) 0 => array(
				[maximum depth reached]
			)
		)
	),
	(int) 2 => array(
		'Artiste' => array(
			'id' => '137',
			'harmattan' => false,
			'art_et_style' => true,
			'afficher_accueil' => null,
			'categorie' => 'maitre-canadien',
			'prenom' => 'René ',
			'nom' => 'Richard',
			'video' => '',
			'bio_fre' => '<p>Le peintre Ren&eacute; Richard na&icirc;t le 1er d&eacute;cembre 1895 &agrave; La Chaux-de-Fonds (Suisse) et d&eacute;c&egrave;de &agrave; Baie-Saint-Paul (Qu&eacute;bec) le 31 mars 1982. Fils d&rsquo;immigrant venu s&rsquo;installer avec toute sa famille &agrave; Cold Lake (Alberta), il est attir&eacute; tr&egrave;s t&ocirc;t par les grands espaces et le sentiment de libert&eacute; qu&rsquo;ils procurent. Aussi, d&egrave;s l&rsquo;&acirc;ge de 18 ans, devient-il coureur des bois, apprenant &agrave; la dure le m&eacute;tier de trappeur, m&eacute;tier qu&rsquo;il pratique pendant plusieurs ann&eacute;es. Tout au cours de cette p&eacute;riode, il fait des centaines de dessins au crayon, lesquels t&eacute;moignent de sa passion pour l&rsquo;immensit&eacute; nordique et le quotidien des am&eacute;rindiens qu&rsquo;il c&ocirc;toie r&eacute;guli&egrave;rement. En 1926, il prend ses premiers cours de dessin &agrave; Edmonton (Alberta) et l&rsquo;ann&eacute;e suivante, il part pour Paris se perfectionner &agrave; l&rsquo;Acad&eacute;mie de la Grande-Chaumi&egrave;re. Dans la capitale fran&ccedil;aise, il fait la connaissance du peintre montr&eacute;alais Clarence Gagnon qui devient son mentor et ami. &Agrave; son retour au pays en 1930, Ren&eacute; Richard renoue avec la vie de coureur des bois, emportant cette fois dans ses bagages tubes de couleurs, crayons et papier d&rsquo;emballage en guise de toiles. C&rsquo;est au cours de cette p&eacute;riode qu&rsquo;il trouve son v&eacute;ritable style, se lib&eacute;rant du classicisme qui avait empreint ses &oelig;uvres pr&eacute;c&eacute;dentes. &laquo; Trac&eacute;e rapidement sur le papier, la ligne court, tant&ocirc;t l&eacute;g&egrave;re, tant&ocirc;t appuy&eacute;e, cernant le tronc d&rsquo;un arbre, all&eacute;geant la courbe d&rsquo;une joue pour reprendre sa course et glisser tel un patineur ex&eacute;cutant un extravagant ballet. L&rsquo;artiste donne libre cours &agrave; sa fantaisie, &agrave; son imagination, et de ce fait m&ecirc;me, tout en s&rsquo;inspirant du sujet, le d&eacute;borde, le magnifie. &raquo; (Hughes de Jouvancourt). Puis, en 1938, Clarence Gagnon emm&egrave;ne son ami &agrave; Baie-Saint-Paul (Charlevoix), village qu&rsquo;il affectionne particuli&egrave;rement. Subjugu&eacute; par la beaut&eacute; des lieux, Ren&eacute; Richard y retourne quelques mois plus tard pour s&rsquo;y installer d&eacute;finitivement et se consacrer &agrave; son art. Et en 1942, il se marie avec Blanche Cimon, la fille des gens qui l&rsquo;ont h&eacute;berg&eacute; depuis sa premi&egrave;re visite. L&rsquo;ann&eacute;e suivante, il tient sa premi&egrave;re exposition &agrave; l&rsquo;Art fran&ccedil;ais. Il y remporte un franc succ&egrave;s, vendant tous ses tableaux en moins de deux jours. S&rsquo;ensuit une repr&eacute;sentation dans trois galeries de renom : la galerie Klinkhoff &agrave; Montr&eacute;al, la galerie Zanettin &agrave; Qu&eacute;bec et celle de Ren&eacute; Bergeron &agrave; Chicoutimi. Plus tard, devenu ami avec Gabrielle Roy et Mgr F&eacute;lix-Antoine Savard, il fait l&rsquo;illustration de leur &oelig;uvre respective, soit&nbsp;&nbsp;&laquo; La montagne secr&egrave;te&nbsp;&raquo; (1975) et une nouvelle &eacute;dition de&nbsp; &laquo; &nbsp;Menaud, ma&icirc;tre-draveur &raquo; (1979).</p>

<p>En 1973, Ren&eacute; Richard est d&eacute;cor&eacute; de l&rsquo;Ordre du Canada et en 1980, il devient membre de l&rsquo;Acad&eacute;mie royale des arts du Canada. Cette m&ecirc;me ann&eacute;e, il donne &agrave; l&rsquo;Universit&eacute; Laval une grande collection de tableaux et d&rsquo;esquisses ainsi qu&rsquo;une douzaine de dessins ayant servi &agrave; illustrer&nbsp;&laquo; Menaud, ma&icirc;tre-draveur&nbsp;&raquo;.&nbsp;&Agrave; son d&eacute;c&egrave;s, son legs s&rsquo;enrichit de 131 peintures et dessins. Parmi les nombreuses expositions qui lui sont consacr&eacute;es, tant de son vivant qu&rsquo;apr&egrave;s, mentionnons celles du Mus&eacute;e du Qu&eacute;bec (maintenant Mus&eacute;e national des beaux-arts du Qu&eacute;bec) en 1967 et 1978, de la ville de Montr&eacute;al (1986), de la Villa Bagatelle de Qu&eacute;bec (1990), de La Chaux-de-Fonds (Suisse) (1992-1993), du Centre d&rsquo;art de Baie-Saint-Paul (maintenant Mus&eacute;e d&rsquo;art contemporain de Baie-Saint-Paul) (1993) et du Domaine Cataraqui &agrave; Qu&eacute;bec (1996).</p>

<p>&laquo; Prolifique, Ren&eacute; Richard est sans doute un des peintres canadiens qui a su le mieux exprimer la nordicit&eacute;, la solitude et la vie primitive des grands espaces territoriaux jalonn&eacute;s par les saisons. Sa contribution &agrave; l&rsquo;art pictural est impressionnante : des centaines d&rsquo;&oelig;uvres, principalement des &eacute;tudes, des dessins (esquisses, croquis, essais &agrave; la sanguine et au fusain, pochades, dessins aux crayons de couleurs et aux crayons feutres) et des huiles de petit et grand format&hellip;.L&rsquo;art de Richard, tr&egrave;s personnel et marqu&eacute; d&rsquo;un certain expressionnisme, exprime donc aussi la survie dans des conditions extr&ecirc;mes, confront&eacute; aux &eacute;l&eacute;ments naturels que sont les fleuves, les d&eacute;serts polaires et les for&ecirc;ts. &raquo; (Esther Pelletier, professeure titulaire, Universit&eacute; Laval).</p>
',
			'bio_eng' => '<p>Painter Ren&eacute; Richard was born on December 1, 1895, in La Chaux-de-Fonds (Switzerland) and died in Baie-Saint-Paul (Qu&eacute;bec) on March 31, 1982. The son of an immigrant who settled in Cold Lake (Alberta) with all his family, he was attracted at an early age by the wide open spaces and the sense of freedom that they gave him. Therefore, at the age of 18, he became a &lsquo;coureur des bois&rsquo;(woodsman) for many years, learning trapping techniques the hard way. During this period of time, he did hundreds of pencil drawings which demonstrated his passion for the Nordic vastness and the daily life of the Aboriginals with whom he mingled regularly. In 1926, he took his first drawing classes in Edmonton (Alberta) and the following year, he left for Paris to perfect his artistic training at the Acad&eacute;mie de la Grande-Chaumi&egrave;re. In the French capital, he met the Montreal painter, Clarence Gagnon, who became his mentor and friend. Upon his return to Canada in 1930, Ren&eacute; Richard resumed his former woodsman&rsquo;s life, this time bringing in his bags colour tubes, pencils and wrapping paper for canvasses. It was during this time that he found his true style, leaving behind the classicism that characterized his previous artworks. &lsquo;&rsquo;Quickly drawn on paper, the line runs, both soft and marked, encircling the trunk of a tree, lightening the curve of a cheek to resume speeding like a skater performing an extravagant ballet. The artist gives free rein to his fantasy, his imagination, and therefore, while being inspired by the subject, he transcends it, magnifies it.&rsquo;&rsquo; (Hughes de Jouvancourt). In 1938, Clarence Gagnon brought his friend to Baie-Saint-Paul (Charlevoix), a village that he loved. Captivated by the beautiful surroundings, Ren&eacute; Richard went back a few months later to settle there permanently and dedicate himself to his art full-time. And in 1942, he married Blanche Cimon, the daughter of the people who had hosted him right from his first visit. The following year, he held his first exhibition at the Art fran&ccedil;ais which was a complete success. He sold all his paintings in less than two days. This led to being represented by three major art galleries: Klinkhoff Gallery in Montreal, the galerie Zanettin in Qu&eacute;bec City and Ren&eacute; Bergeron&rsquo;s gallery in Chicoutimi. Later, thanks to his friendship with Gabrielle Roy and Mgr F&eacute;lix-Antoine Savard, he illustrated their respective works, namely &lsquo;&rsquo; La montagne secr&egrave;te&nbsp;&lsquo;&rsquo; (translated as The Hidden Mountain) in 1975, and a new edition of&nbsp; &lsquo;&rsquo;&nbsp;Menaud, ma&icirc;tre-draveur &lsquo;&rsquo; (translated as both Boss of the River and Master of the River) in 1979.</p>

<p>In 1973, Ren&eacute; Richard was decorated with the Order of Canada and in 1980, he was made a member of the Royal Canadian Academy of Arts. The same year, he donated a sizeable collection of his work to Laval University: paintings and sketches as well as a dozen drawings used to illustrate &lsquo;&rsquo; Menaud, ma&icirc;tre-draveur &lsquo;&rsquo;. Upon his death, he increased his bequest to the University by 131 paintings and drawings. There were numerous exhibitions dedicated to him both during his lifetime and posthumously, among which: at the Mus&eacute;e du Qu&eacute;bec (now Mus&eacute;e national des beaux-arts du Qu&eacute;bec) in 1967 and 1978, the City of Montreal (1986), the Villa Bagatelle, Qu&eacute;bec City (1990), La Chaux-de-Fonds (Switzerland) (1992-1993), the Centre d&rsquo;art de Baie-Saint-Paul (now Mus&eacute;e d&rsquo;art contemporain de Baie-Saint-Paul) (1993) and Domaine Cataraqui, Qu&eacute;bec City (1996).</p>

<p>&lsquo;&rsquo;Ren&eacute; Richard is without doubt one of the Canadian painters who best captured the North&mdash;its loneliness, rudimentary living conditions, and vast open spaces marked by the seasons. His prolific output stands as an impressive contribution to Canadian art: hundreds of works made up mostly of studies, drawings&mdash;a category that encompasses rough sketches, sanguine crayon, charcoal and pencil crayon as well as more detailed oil pochades and drawings in pencil crayon and felt pen&mdash;and small and large format oil paintings&hellip;Richard&rsquo;s highly personal and somewhat expressionistic style conveys the struggle for human survival amidst the harsh northern environment of polar deserts, vast forests and rivers.&rsquo;&rsquo; (Esther Pelletier, Professor, Laval University)</p>
',
			'mailchimp' => '',
			'image' => '/public_upload/images/art-et-style/rene-richard/R_Richard_068G.jpg',
			'rechercher' => null,
			'seo_title_eng' => 'René Richard',
			'seo_title_fre' => 'Richard',
			'seo_description_eng' => null,
			'seo_description_fre' => '',
			'seo_slug_eng' => 'rene-richard',
			'seo_slug_fre' => 'rene-richard',
			'created' => '2018-03-19 00:00:00',
			'modified' => '2019-06-01 15:09:14'
		),
		'OeuvrePrincipale' => array(
			(int) 0 => array(
				[maximum depth reached]
			)
		)
	),
	(int) 3 => array(
		'Artiste' => array(
			'id' => '126',
			'harmattan' => false,
			'art_et_style' => true,
			'afficher_accueil' => null,
			'categorie' => 'maitre-canadien',
			'prenom' => 'Ludger',
			'nom' => 'Larose',
			'video' => '',
			'bio_fre' => '<p>N&eacute; &agrave; Montr&eacute;al en1868. Mort &agrave; Montr&eacute;al en 1915. Entre 1887 et 1894, Ludger Larose &eacute;tudie le dessin &agrave; l&#39;&Eacute;cole des Beaux-Arts de Paris avec Jean-Paul Laurens et Gustave Moreau. De retour &agrave; Montr&eacute;al en 1894, il enseigne &agrave; l&#39;&Eacute;cole du Plateau jusqu&#39;en 1910, puis &agrave; Westmount de 1912 &agrave; 1915. Larose s&#39;est illustr&eacute; comme d&eacute;corateur d&#39;&eacute;glises (Chapelle du Sacr&eacute;-C&#39;ur de Notre-Dame de Montr&eacute;al) et aussi comme peintre de paysages.</p>
',
			'bio_eng' => '<p>He was born in Montreal in 1868 and died in 1915. Between 1887 and 1894, Ludger Larose studied drawing at &Eacute;cole des Beaux-Arts de Paris with Jean-Paul Laurens and Gustave Moreau. Back in Montreal in 1894, he taught at &Eacute;cole du Plateau until 1910, then in Westmount from 1912 to 1915. Larose was renowned as a church designer (Chapel of Sacr&eacute;-Coeur de Notre-Dame de Montreal) and also as landscape painter.</p>
',
			'mailchimp' => '',
			'image' => '/public_upload/images/art-et-style/ludger-larose/L_Larose_001G.jpg',
			'rechercher' => null,
			'seo_title_eng' => 'Ludger Larose',
			'seo_title_fre' => 'Larose',
			'seo_description_eng' => null,
			'seo_description_fre' => '',
			'seo_slug_eng' => 'ludger-larose',
			'seo_slug_fre' => 'ludger-larose',
			'created' => '2018-03-19 00:00:00',
			'modified' => '2018-03-19 14:46:54'
		),
		'OeuvrePrincipale' => array()
	)
)
$detail_oeuvre = false
$here = '/fr/artistes/get/art_et_style/maitre-canadien'
$path = 'fr/galerie-art-style-charlevoix/elements'
$type_galerie = 'art_et_style'
$translated_galerie = 'galery-art-style'
$galerie = 'galerie-art-style-charlevoix'
$img_default = '/img/as-default.png'
$langExt = '_fre'
$language = 'fr'
$artiste = array(
	'Artiste' => array(
		'id' => '126',
		'harmattan' => false,
		'art_et_style' => true,
		'afficher_accueil' => null,
		'categorie' => 'maitre-canadien',
		'prenom' => 'Ludger',
		'nom' => 'Larose',
		'video' => '',
		'bio_fre' => '<p>N&eacute; &agrave; Montr&eacute;al en1868. Mort &agrave; Montr&eacute;al en 1915. Entre 1887 et 1894, Ludger Larose &eacute;tudie le dessin &agrave; l&#39;&Eacute;cole des Beaux-Arts de Paris avec Jean-Paul Laurens et Gustave Moreau. De retour &agrave; Montr&eacute;al en 1894, il enseigne &agrave; l&#39;&Eacute;cole du Plateau jusqu&#39;en 1910, puis &agrave; Westmount de 1912 &agrave; 1915. Larose s&#39;est illustr&eacute; comme d&eacute;corateur d&#39;&eacute;glises (Chapelle du Sacr&eacute;-C&#39;ur de Notre-Dame de Montr&eacute;al) et aussi comme peintre de paysages.</p>
',
		'bio_eng' => '<p>He was born in Montreal in 1868 and died in 1915. Between 1887 and 1894, Ludger Larose studied drawing at &Eacute;cole des Beaux-Arts de Paris with Jean-Paul Laurens and Gustave Moreau. Back in Montreal in 1894, he taught at &Eacute;cole du Plateau until 1910, then in Westmount from 1912 to 1915. Larose was renowned as a church designer (Chapel of Sacr&eacute;-Coeur de Notre-Dame de Montreal) and also as landscape painter.</p>
',
		'mailchimp' => '',
		'image' => '/public_upload/images/art-et-style/ludger-larose/L_Larose_001G.jpg',
		'rechercher' => null,
		'seo_title_eng' => 'Ludger Larose',
		'seo_title_fre' => 'Larose',
		'seo_description_eng' => null,
		'seo_description_fre' => '',
		'seo_slug_eng' => 'ludger-larose',
		'seo_slug_fre' => 'ludger-larose',
		'created' => '2018-03-19 00:00:00',
		'modified' => '2018-03-19 14:46:54'
	),
	'OeuvrePrincipale' => array()
)
include - APP/View/Artistes/get.ctp, line 9
View::_evaluate() - CORE/Cake/View/View.php, line 948
View::_render() - CORE/Cake/View/View.php, line 910
View::render() - CORE/Cake/View/View.php, line 471
Controller::render() - CORE/Cake/Controller/Controller.php, line 954
Dispatcher::_invoke() - CORE/Cake/Routing/Dispatcher.php, line 198
Dispatcher::dispatch() - CORE/Cake/Routing/Dispatcher.php, line 165
[main] - /home/lharmat/public_html/admin/index.php, line 111

Ludger Larose

Voir tous les maîtres canadiens »

Nos artistes peintres et sculpteurs

Nous vous présentons le travail de plus d’une trentaine d’artistes de styles figuratif. Les médiums utilisés sont variés, l’huile, l’acrylique, beaucoup de technique mixte sur des supports divers ainsi que de la sculpture. Vous serez enchanté de découvrir autant de diversité et de créativité…